Analyzing assignment (e.g. advertisement, speech, etc)

Analyzing (e.g. advertisement, speech, etc) - Assignment Example One poet Nick Toczek welcomes the exposure that comes with the use of poetry in advertising and has himself written poetry for advertising use by Prudential, â€Å"Our kids, who've grown and flown the nest, / Now only phone us to request / More cash on loan, their tone depressed† (Hickman 1) The use of poetry in advertising is an approach that allows artistic expression, and reaches a large audience. It is used by advertisers because it is pleasant and easily remembered. It is embraced by many poets and artists because it allows them to promote their work to a much larger audience. As some people say, life is poetry it is rhyme, cadence, and meter. Within reason one could see examples of poetry in every aspect of life, some rough examples, harsh and grating and in other details soft, firm, loving. However, to answer the question directly the reason advertisers use poetry is because it is memorable, expressive and above all human. Hickman, L. (2009). The rise of poetry in adver tising. guardian.co.uk, (p 1), Retrieved from http://www.guardian.co.uk/tv-and-radio/2009/dec/02/rise-poetry-in-advertising Zinkhan, George. (1994). From the editor: poetry in advertising. M.E.

Abrasive Flow Machining Essay Example for Free

Abrasive Flow Machining Essay 1. Introduction Abrasive flow machining (AFM) was firstly developed fifty years ago by Extrude Hone Corporation, USA. By using the liquid viscoelastic material with easy flowability made of polymer and abrasive grains, AFM can be used to polish, deburr and radius for the workpiece. There are three kinds of AFM: one-way AFM, two-way AFM and orbital AFM [1]. In this case to manufacture the cylinder heads, consider of two-way AFM is much more widely used and its technology is more mature, we also choose the two-way AFM to do the surface finishing. Schematic of two-way flow shows in figure below. Figure 1 principle of material removal mechanism in two-way AFM process [1] Prior to machining, liquid abrasive will be put into the lower medium cylinder, the designed fixture which clamping the workpiece will be fixed between two cylinders. The upper medium, lower medium cylinder and fixture will form a confined space. After heat the whole system to working temperature, by forcing the lower piston (usually by hydraulic), the liquid abrasive will be pressed into the channel formed by clamp and workpiece, then flow into the upper medium cylinder. After the stroke of lower piston finished, the upper piston will force the liquid abrasive back into lower cylinder [2], an operating cycle will be finished. See more: Beowulf essay essay 2. Three key elements of AFM 1) Machine tool Use to fasten the workpiece and fixture, and control the pressure applied on the workpiece, to adjust the degree of abrasive accuracy. 2) Liquid Abrasive Liquid abrasive is abrasive tool in the AFM, it should has following properties, a) Non-corroding and don’t adhere to the workpiece and human skin. b) Good adhesive properties between different abrasive grains. c) Be able to maintain the viscoelasticity for a long time d) Non-volatile and non-deteriorate after a long time preservation. e) Strong cohesion. For these properties, the conventional liquid abrasive is made from Semi-solid carrier which has viscoelasticity, flexibility and cutting property mixed with abrasive grains. Different intrinsic viscosities of different carriers, different types and size of abrasive grains can affect the final tolerance and roughness [2]. The most frequently used abrasives are silicon carbide, carborundum, Cubic Boron Nitride(CBN), aluminum oxide, the size of grain vary from 0.005mm to 1.5mm. Abrasive with high viscosity is mainly used to polish the walls of workpiece and large through-hole while low viscosity abrasive is primarily for radiusing the edge and polishing the small through-hole. 3) Fixture The function of fixture, a) Positioning and fixing the workpiece. b) Bearing clamping force for some workpiece. c) Constitute a channel for liquid abrasive with some machined surface of workpiece in suitable size and section. d) Realizing simultaneous machine multiple workpiece in one device. 3. Advantage of AFM, Abrasive flow machining has accuracy, stability and flexibility. It uses liquid abrasive to remove the metal material infinitesimally, deburr and radius the internal intersections of workpiece. At present, AFM is widely used in automotive industry and other manufacturing. The fundamental advantage of AFM is the liquid abrasive can reach the positions which are not easily be machined by tradition surface finish methods since the complexity of workpiece, polished surface evenly and in integrity, batch processing has the same result. These characteristics improve the performance of part, extend the working life, avoid the multifarious manual labour, and lower the intensity of labor. For example, when polish the intake-tube of vehicle by traditional process, the tube need to be cut into half, then welding after polishing, but using the AFM, cut and welding can be avoided [3]. 4. Geometrical and thermal effects. Viscosity of liquid abrasive will decrease when the working temperature enhances [3], and working ability of abrasive depends on its viscosity as the figure 2 shown. Figure 2 the machining effects of different viscosity of abrasive materials [5] Since cutting force is proportional to viscosity, so higher viscosity means stronger grinding ability, as a result abrasive with higher viscosity will get a better surface. In conclusion, temperature is a very important factor during the process. While the abrasive grains polish the surface, it will generate heat, enhancing the temperature as the figure 3 shown. Figure 3 Variation of rise in temperature of workpiece with number of cycles [4] The rise of temperature will make the working ability reduce. So cooling system is need during the process to ensure the best machined surface. Geometry of cylinder head also affects the result of surface finishing. Many small through-holes exist in the cylinder head, flow rate of abrasive is much bigger in these through-holes according to fluid mechanics, even these accelerations enhance grinding ability, but due to shearing force generated by abrasive being extrusion at narrow pass, it is evident that temperature will rise rapidly, lower the grinding ability. So geometrical effect need to consider when design a cylinder head. 1. Rhoades L.J., Kohut T.A., Reversible Unidirectional AFM, US patent number 5,070,652, Dec 10th, 1991. 2 Szulczynski, Hubert, Uhlmann, Eckart, MATERIAL REMOVAL MECHANISMS IN ABRASIVE FLOW MACHINING 3 Guizhen Song, THEORETICAL ANALYSIS AND EXPERIMENTAL RESEARCH ON ABRASIVE FLOW MACHINING 4 Rajendra K. Jain, V. K. Jain. Specific energy and temperature determination in abrasive flow machining process[J]. International Journal of Machine Tools Manufacture, 2001(41):1689-1704 5 Tang Yong, Zhou De-ming, Yang Gang, Machinability of Abrasive Flowing Machining. Journal of south china university of technology, 2001-9

Albert the frog :: essays research papers

  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Albert   Ã‚  Ã‚  Ã‚  Ã‚  Albert lived in a can. He was a frog that lived in a large coffee can. You may say to yourself, coffee cans are rather minute, but you must know one thing to answer this pondering, Albert is simply a small frog that doesn’t need a large home. One day he stopped sleeping and realized that he was In a puddle of water. Albert doesn’t like water even though he is a frog. He screamed and yelled a lot. He then woke up and realized it was a dream but there was a cat standing above his can that was about to pounce. With a lightning fast thought, Albert grabbed his water jug and hopped as fast as he could into a thicket. Albert did not know what a thicket was or why he jumped into one but he started to walk like a frog, due to him being a frog. On his daily walk towards the little creek were he fills his water jug he saw a curious-looking spotted object and concluded that he should hop over to it so he did. Once he got closer he realized it was a 1 foot tall mushroom. Albert’s favorite kind too! The ones with orange spots and blue stems. Since Albert did not have time to eat some flies for breakfast due to the cat trying to kill him, he decided to treat himself to a mushroom pie. Albert did know how to make wonderful mushroom pies. He sat upon a log and started a small little campfire on which to cook the mushroom. He went and grabbed a huge chunk off of the mushroom and plopped it on the on the pan as he nibbled on a smaller chunk. Albert became upset when his mushroom pie melted instead of turning into bread, which mushrooms tend to do this time of year. Albert drank the soupy slime from the pan and was on his way. Due to Albert being tired from all of the excitement he sat atop of a huge bed he found in the forest. When he woke up it was dark out. Albert was very worried due to his need to fill his water jug so he continued looking for the creek. Even though his luck was down Albert was happy due to the fact that his favorite song was being played by the trees.

Has the lottery replaced the government in the funding of education Essay

The overarching aims of education underlie the construction of the curriculum and funding. Education, in the broader sense, aims to develop the individual, to enlarge a child’s knowledge, experience and imaginative understanding, and thus his awareness of moral values and capacity for enjoyment and also to enable the child to take his place in society. The school education on the other hand, has the aim to provide opportunities for all pupils to learn and achieve, to promote spiritual, moral, social and cultural development and to prepare pupils for the opportunities, responsibilities and experiences of life. Consider the school of the late 20th century. It has not changed a whole lot in the last fifty years or so. Isolated from the rest of the world except for one or two school-business partnerships. Working at the edges of the school, these partnerships attempt to provide students with some insight into the working world or give some marginal discretionary resources for the principal to use. The resources are used on one of a multitude of unrelated programs that the school has set up to cope with the problems that society has dumped on the school. The school itself has created barriers that shelter and isolate it from the work of the world that goes on around it. The technological innovations that are pervasive in the business world have yet to penetrate the classrooms except for a single computer in each classroom that the teacher barely knows how to use. Few business people, even the partners, ever come to school; those who do are shocked by the conditions they find and by the discipline problems with which teachers must contend. Still they are comforted by the fact that school feels pretty much like it did when they went to school. On the other hand, the quality of services on a university campus is one thing; to measure the quality of manufactured goods is another matter. Chubb, J. and Moe, T. takes this further and says that â€Å"a service †¦ cannot be objectively measured. † Such frustration stems from the difference between services and goods. For example, educational services are intangible and cannot be packaged, displayed or inspected fully by prospective students. Services also have a perishability problem because they cannot be stored for future delivery: when students cut class, the professor’s time is wasted. Unlike goods, services are difficult to separate from their provider: an academic course is as fascinating or as boring as the professor. There is also a lot of variability in services. For example, the mood of the professor could impinge on his or her tolerance for chatting in class. Services are difficult to standardize. Unlike manufactured goods, services are not as susceptible to strict quality control. With regards to these needs in education, more states are actually looking for fund in order to pursue educational development. Out of 42 states that uses lottery, 24 of it uses the proceeds for school financing aside from the support of the government. In line with this research, the data that describes the 2005 and 2006 development of schools in each state considered. Basically, this paper attempts to identify if the massive lottery practices in each states promotes educational development in terms of funding. The Report  From the previous discussion, The Chicago Reporter found out that the lottery does not supplement school funding, even though the proceeds goes directly the state’s Common School Fund. On the other hand, the South Carolina Education Lottery was approved by constitutional referendum in 2000, and implemented shortly thereafter. In contrast to other education lotteries, the legislation establishing the lottery contains substantive measures to ensure that lottery revenues supplement, rather than replace, general fund tax revenues earmarked for education. Aside from this, the involvement of lottery in funding the schools’ needs show a good advantage as California Performance Review supported the option. California lottery players, retailers and, most importantly, its public schools, all stand to gain from changing state laws that restrict the lottery’s ability to increase sales. These changes are not only consistent with the mandated purpose of The Lottery Act as approved by the voters, they represent the only risk-free way to ensure that lottery dollars to education will not actually decrease. In line with this, this paper will evaluate and compare the current development in 46 states in which 24 of it uses the proceeds of lottery to education while the other 22 only uses the support of the government. The Method To determine the current performance of schools in 46 states, the researcher compares the amount of budget between states w/ lottery proceeds used in school funding and states w/o lottery proceeds used in school funding. To determine the difference of budget between these states and the status of development in each school, the researcher conducted an analysis from the data obtained in these 46 states (The distribution of data is shown in the Appendix A) using t-test procedures. From 24 schools that are currently using lottery proceeds, the analysis of their education budget was also compared to their previous years in which lottery proceeds is not being considered (see Appendix B). The use of its mean and coefficient of variation are performed for evaluation of budget.

Mats Ek Carmen

This essay will analyze and discuss one of Europe's most creative and influential dance-makers, the Swedish dancer and choreographer Mats Ek; acclaimed for the theatricality and immediacy of his work while his contribution and development through the dance field with the main focus on his revision of the classical ballet stories. It will also discuss one of his major works Carmen and relate it with the original one. Mats Ek is a prominent and controversial figure of the contemporary dance.He has his own choreographic style and his work in contemporary dance choreography is contested. He was born in 1945. Eks mother, and his big influence, was the famous dancer and choreographer Birgit Cullberg, the founder of the world wide recognized, Cullberg Ballet Company. As said before, his mother was a huge influence for Ek. Therefore one can see that both, Mats Ek and Birgit Cullberg, choreographic style has a lot of same characteristics such as the attention of psychological characterization , the sensitive portrayal of humans feelings and the humorous episodes. In performance we see a fantasy world so unwaveringly strange and characters so imperiously dysfunctional we're genuinely compelled†¦ Ek may ask his dancers to go to some very odd places but the Cullberg Ballet follows him with ardent alacrity† (Judith Mackrell, the Guardian. ) In 1974–5, Ek was a member of the Deutsche Oper am Rhein, Dusseldorf, and then made his choreographic debut in 1976 with The Officer’s Servant, for the Cullberg Ballet, the first of many of his works formed on them. In 1980 he became the artistic director of the Ballet Cullberg and a member of the Nederland’s Dance Theatre.He also worked and created pieces with many great dance companies. Mats Ek in well known for his revisionist versions of the classic ballets. He has also created his own work and most of the time his pieces have to do a lot with humor. However in reworking ballet classics, Ek likes to kee p the characters alive so as to always provide an inner emotion to the characters emotions and contrasts. The characters in his pieces,in contrast to the classic ones, have an emotional world of much more intense than usually and the relationship between them has a greater depth.Although he is revising the original pieces, he never forgets to stay true to the original context of the work and as far as the music is concerned he always uses the original one with very slight changes only to suit the new dramatic structure. Mats Eks key word, is clarity, despite the fact that he aims for clarity, this does not imply that he also uses simplicity in his pieces. â€Å"I was never interested in keeping to the classical traditions as such, What I want to explore are the underlying fairy tales that convey fundamental human issues love, deceit, pain, goodness.The classics have become cliches, and we have forgotten how they came to be and what they imply. We know them so well; they cease to ha ve meaning for our time. † (Mats Ek) Mats Ek is very often labeled that he relates his choreographies with the politics of the time that the choreographies are being made. This is not however right because none of Mr. Eks choreographies can be regarded as a political manifesto. In his pieces, the strong images and the dramatic situations will occasionally lead into humorous episodes. Humor, is one of Eks main characteristics throughout his pieces and as mentioned previously in the report so is his mother’s.By using humor in his dances, this does not mean that the pieces lose their tension. Since Mats Ek also studied theatre, most of the time his creations are a lot more dramatic than usual and this can be detected in every one of his pieces (Fifty Contemporary Choreographers, Pages 144-146). â€Å"Ek has a vivid theatricality and gift for genuine surprises†¦ his theatricality is matched by a full-out dance language that merges the sophisticated with the primitive. I became aware of just how much meaning Ek can compress into his pieces† (Nadine Meisner, the Independent).Ek’s style has become distinctive for its imaginative interpretations of storylines, in combination with a lyrical approach which transfers through movement the underlying emotions and feelings rather than just the narrative detail. His choreographic style and vocabulary is mainly from his ballet training, his relationship and dance experience with his mother and his collaboration with the Nederland Dance Theatre. Although Ek has rejected the conventional codes of classic ballet, it is clear in his pieces the he uses a lot of ballet technique.This can be found within the jumps, turns and footwork that he uses within his movement vocabulary. At the same time though, Ek uses a lot of contemporary movements such as drop of the pelvis, a lot of floor work and body weight. He manages to relate both styles with a unique and wonderful way in order for everything to look good and lovely. (Fifty Contemporary Choreographers, Pages 147-148) â€Å" Ek has done a great deal to enlarge how women are portrayed on stage, especially in the ballet classics. His â€Å"Giselle† and â€Å"Carmen† offer intense reimagining’s of  their heroines†. (Keeping dance alive: a Mats Eks portrait.Claudia La Rocco, TV classics) Let’s now move on to one of his most famous and great works, Carmen. Originally, Carmen was first performed in Paris on 3 March, 1875. Written by Georges Bizet. The story is about a temptress, Carmen, and her lover Don Jose who sacrifices his devoted lady, Micaela, to pursue his manly passions for Carmen. Jose, angry by her sexual behavior and blinded by his own rage, kills Carmen, thus bringing upon himself his own devastation resulting in death. The opera is set in Spain and the story line is more complex than the original novel by Prosper Merimee.The character of Carmen was too offensive for family theatre. Alt hough Carmen appeals to popular culture, the opera still attracts academic discourse as the spirit of Spain is personified in the character of Carmen. It is clear that in order for Carmen to be represented as a whore, she had to be black. That suited the beliefs of that time being, that the color of her skin will make her bad and evil. Moreover the color of her skin makes her also more exotic than any European and this will make her more desirable to the male audience and maybe more hated by women.In 1999 Mats Ek revised the Spanish classic Carmen to audiences all over the world. This version of Carmen is currently in the repertoire of the Royal Ballet, Cullberg Ballet, Lyon Opera Ballet, National Theatre, Ballet of Prague and the Polish National Opera Ballet. Ek in his pieces in general manages to show each character’s psychological aspect in depth. In Carmen, one can see that he presents Carmen as this woman who is complicated and has a complex behavior. That is what he usu ally does in his pieces, he presents all the women as very complicated and sexual creatures.In his choreography Ek is trying to keep the original features of the opera; but in order to attract more modern audiences he makes some changes so that the audience, in that time being, will be able to relate with the characters (Fifty Contemporary Choreographers, Pages 144-145). For example, the sexual behavior of Carmen in the piece is very important for the story line. However in the original piece it was not that clear. In Mats Ek version though, the sexuality is clearer and more understanding for the audience. Generally Eks version explores the actual human behavior as it is in real life.He pushes the male-female role reversal between the sexually free gypsy girl and the soldier Don Jose beyond safe boundaries, substituting a cigar for the familiar rose between Carmen's teeth, turning her into one of the boys( Cigar Crossed Lovers, David Bogoslaw, 1999). That cigar shows that she has a masculine soul in a woman’s body. (Carmen, 2010)   Carmen is a symbol of freedom and anarchy and can have as much freedom as she wants. In contrast, Jose is a traditional feminine role, a weak character that wants peace and a marriage, but cannot control his passions for Carmen in spite that he is going to marry Micaela.Eks Carmen begins and ends with a scene of a man, Jose, facing a firing squad and recalling in the last moments before death his tempestuous liaison with the gypsy girl who refused to be tamed. The dance then retells the story of the progressing love affair between Carmen and Jose. Eks choreographing style in this performance is a combination of both, ballet and modern dance. As they first dance together, Carmen and Jose, is like she is slowly explaining to him, throughout the dance, how she is and how she likes to live her life.He also tries to show her that he is a military man with a lot of discipline. At the beginning of the piece their movements are mor e aggressive, but as soon as they fell in love their movements become more soft and gentle. This change of the movement shows how they started to feel comfortable with each other as time passed (Janet Adshead, 1988, Dance Analysis: Theory and practice, Pages: 72-75). Carmen’s movement style initially is aggressive and masculine while it is becoming more beautiful as the story evolves.However, the fact that Jose is carrying the rose and Carmen the cigar, this shows that she is still the â€Å"man† in their relationship (As Willful As Ever And Puffing On a Cigar Anna Kisselgoff, The New York Times. 1999). Another example of how the movement shows the emotional world and the relationship between the characters is when there is a trio between Carmen, Jose and Escamillo, who is the reason why Carmen does not love Jose anymore. He is the new love of her heart and that makes Jose angry. In the trio the two men’s jealousy is extremely obvious throughout the dancing move ment.There is imitation and repetition between each ones movement and the fact that they keep a certain distance between one another, shows the jealousy between them. At the end of the trio, when Carmen is going to strike Jose’s face, it becomes clear that she does not love him anymore. More over there is Michaela’s character which is also made clear through her movements. At the beginning she is dancing in a shy way but after she gets really angry with Jose and Carmen, thus her way of movement changes. She begins to be more aggressive and dynamic in terms of movement vocabulary and that is a reflection of her emotional world.The music in Eks choreography, as mentioned above, is faithful to the original one by French composer  Georges Bizet. The only difference is that is being used for different purposes in the story. In the original opera the music is a guide for the progress of the plot. In Mats Ek piece however, the music is not really needed to explain the plot or the relationship between the characters. It is there to create a mood in the piece. One thing that is really different from the original opera, in terms of sounds, is that in Mats Ek piece the dancers are sometimes talking and shouting. This adds a dynamic touch to the whole piece.Shouting is also more realistic than just singing opera. Carmen is wearing the same color of costume in both versions and almost in every version that has been created in the world. Red is the color of passion and sexuality. Thus, when the audience first sees Carmen, immediately understands her character and that she is a temptress. Micaela, in contrast to Carmen, wears blue, a color that symbolizes her innocence and that she is fragile. The street ladies costumes in Eks piece show their character and their Spanish ethnicity in contradiction to the original opera costumes that are showing the class and there social status.Ek uses very colorful, shiny and ruffled dresses that are a throwback to the 80s, in order to show that all women have sexuality. The costumes of the men are very simple and dark, just to show their discipline, as they are military men. The designs and sets in Eks Carmen are cartoonish and with playful colors. In terms of light, he tries to keep it dark. There is a metallic backdrop and panels which are suggestive of Spanish fans, as well as a large exercise ball downstage.In Mats Ek version of Carmen, there is a deeper reflection of all the characters emotional world. Carmen is clearly a symbol of Freedom and anarchy with an even more complex nature than the one of the classic story. That is what Mats Ek does anyway. Except from changing the classics into more modern and humorous editions, the thing that makes him special is how he deals with the inner world of each character. He manages to present each character, throughout the dance, in a very intense way so that the audience can understand for sure the characters personality.However he keeps the original stor y as it is, and he aims to show the same meaning as the original piece while at the same time he tries to explore a bit more the relationship between the characters. All of the above lead to Ek’s success when revising the classic stories. He remains faithful to the original story but however he does it not only with a more modern vocabulary but also with a more modern approach to suit the present. â€Å"Much like Bizet's opera of the same name, Mr. Ek's version proves that a grim tale of love and death can be downright entertaining† (As Willful As Ever And Puffing On a Cigar Anna Kisselgoff, The New York Times. 999). It seems that Carmen will continue to appeal the audiences for years to come. Mats Ek Carmen will also continue to be popular to the audience because of the emotional and dramatic state of Mr. Eks pieces. He is a choreographer that distant himself from anybody else in the dance field. He is very original and successful with his choreographies and it is no wonder that he is so famous and he has achieved so much. He is an extremely talented choreographer with a lot of theatrical ideas and that is what makes him so special throughout all these years! Bibliography:Adshead, J. 1988. Dance analysis theory and practice. London: Dance books Bremser M. and Sanders L. Fifty Contemporary Choreographers. Second Edition. 2011. Roudledge Au S. Ballet and Modern dance. 1998. Thames and Hudson world of Art. Articles: As Willful As Ever And Puffing On a Cigar Anna Kisselgoff, The New York Times. 1999 Websites: Linda. 2010. Carmen. http://www. theballetbag. com Peter Grahame Woolf. 1996. Mat’s Ek Carmen. http://www. musicweb-international. com Claudia La Rocco. Keeping dance alive: A Mat’s Ek Portrait. http://www. classicaltv. com

Esthetics in Quebec essays

Esthetics in Quebec essays Plastic surgery today is often done especially for cosmetic reasons, to remove blemishes or to change contours. Among the most common of the cosmetic plastic surgery operations are rhinoplasty (remodeling of the nose) and face-lifting, to remove the signs of aging. Another cosmetic technique is the removal of obvious scars by cutting out scar tissue and adjusting the wound edges. Nowadays, plastic surgery has become misidentified with beauty surgery. In fact, only a small percentage of plastic surgeons have practices limited to cosmetic operations. As a friend of a cancerous patient deeply suffering and awaiting his turn for obtaining a date for his surgery, I was astonished when I read an article published in the gazette that cosmetic surgeries were being performed in our hospitals. Like many people, I thought such surgeries were done in private clinics. Certain surgeons are considering the amount of money earned from the act of surgery, ahead of the suffering of the patient. Doctors have taken an oath to relieve the pain and to cure life-threatening diseases to the full extent of their capacities. I find no argument to justify delaying the act of elimination of a malignant tumor, replacing a hip, or removing a cataract, for a simple cosmetic surgery that can wait and has no serious complications. I cannot tolerate the fact that cosmetic surgeries are being done before other kinds. Does this mean these procedures should be banned from the operating room of a public hospital? I dont believe so. If there is a vacant operating room, there is no good reason to deny qualified plastic surgeons to perform cosmetic surgeries. The hospital might even turn a small profit from these acts. The point is not to replace or hold the schedules of those suffering humans requiring immediate and essential surgery, and make sure that rental fees are adequate with the real cost to the public. ...

MS Word tips for a great-looking resume

MS Word tips for a great-looking resume No matter how impressive your education and career have been so far, if you can’t find a polished way to put it all down on paper no one will give you a second look. Put it this way: according to TheLadders, recruiters only spend six seconds looking at each resume. If what they see in that flash of time is sloppy, disorganized, and hard to follow, you won’t be contacted any time soon. Your resume is such a crucial document, so why not make it the best it can be? We’ve compiled some basic Microsoft Word tips you can fold into your resume that will help you show off in a way that’s organized and easy to scan.Save and send as a PDF.Not only does saving your resume as a PDF (â€Å"Save As† and then change file type to PDF) increase the security of your document, it ensures that the person reading your resume will see the document exactly as you intend them to- with no risk of their computer or software messing with your carefully chosen formatting. Just make sure to open up your saved PDF and do a quick check to make sure it looks the way you want it to before you send.Get extra space with a header.If you’re having trouble cramming all your information into the one page and everything is squished together, try creating a header and moving your contact information there. Just make sure you match the formatting (font and general style) to the rest of your resume so it looks like a cohesive document.Use bolding and underlines to set sections apart.Set your job titles and section headings apart from the rest of your text by bolding them. This makes it easier for recruiters and hiring managers to skim through your experience. Also, adding a line beneath section headers can increase readability if space is tight.At the same time, take care not to overuse bolding- its purpose is to call attention to key parts of your document. If too much is bolded, the eye doesn’t know where to go and the point is lost. Stick with headings and you’ll be fine.Use bullets with lists.Bullet points are a great way to organize subsections,  such as a list of your relevant skills, in a way that’s easy to skim. Make sure to list the big ticket ones first, as these will be the ones a recruiter or hiring manager will definitely see at a quick glance.Separate text in the same line with bullets.Setting items apart within a single line (say, a list of skills in a summary or headline that stretches across the top of your document) is a polished way to make a list that doesn’t take up a lot of vertical room. Select the space between words, go Insert/Advanced Symbol, then select your desired bullet.Align your dates.Use the spacebar or tab key to move your dates all the way out to cozy up to the right margin, making sure they all align going down the page. This makes your job titles and descriptions look less cluttered.Cheat on line spacing.If you need to free up space and can’t cut any text, try decrea sing the line spacing in sections that can be tightened without becoming hard to read. Highlight the text in question, and then fiddle with the Line Spacing Options in the character spacing tab on your home tab. If it looks silly to you, though, it will look silly to a recruiter. It’s better to cut text than to have a block of small text mashed together that’s impossible to read.